Issue 4.1
January 2026
David Anson Lee
In the Waiting Room
In the Waiting Room
Time folds into corners
where chairs meet linoleum,
and the clock ticks
like a patient surgeon.
A child clutches a stuffed fox,
seams worn, eyes careful.
A man hums under his breath,
a melody only he remembers.
I breathe antiseptic air,
thinking of all the things
that arrive too early,
that linger too long,
how waiting itself
frays the edges of us
without apology.
David Elliot Eisenstat
Chloe, in the Woods of Staten Island
Chloe, in the Woods of Staten Island
*After Horace,* Odes *1.23*
*and thence Anacreon 408*
Out here, Mom, if the berry bushes
rustle and I jump—
well, he stalks me, you know, that boy,
who spied a lizard on our fence
and fashioned, out of summer grass,
a snare. I just wanted some sun;
now I’m “ripe for a man.” I don’t
like how they fawn all over me.
Mom, are you listening? Mom?
Casey Ferguson
Nugae Celticae
Nugae Celticae
There was a department called Classics
for reading belles-lettres Jurassic.
@tabThe essential ingredient
@taband translation expedient?
Enough coffee to make this poor lass sick.
Neal Mason
The Celibate Satyr
The Celibate Satyr
With a goat’s hind quarters,
pointed ears and priapic posture,
I’m no maiden’s dream—or at least,
not her mother’s—but things
aren’t always as they seem, especially
when it comes to lovers.
I’m supposed to spend my life
getting drunk and chasing nymphs
whose purpose is to be raped? Are our brains
so ineffectual? It seems
thoughts too can be ill-shaped, the erotic
anti-intellectual.
To be honest, I eschew
(which, if you’re literary, you can do)
the body’s grosser needs, a distasteful
source of fun. I’m loath
to spend my life sowing seeds in a quim
or a boy’s bum.
I think I’m somewhat refined.
I love poetry and classical music
and I’m comfortable wearing pants; I don’t see flashing
as at all artistic, the gymnastic
antics of Bacchus’s sycophants somewhat
less than mystic.
There’s a world of knowledge to enjoy,
the foreplay to lasting satisfaction
found in truth and beauty, not in groping
whoever’s next. Whatever
the good life is, it includes duty, not
an obsession with sex.
Nathaniel Julien Brame
Antlion
Antlion
All my life I was ferocious
living at the bottom of a spiral
Sharp-jawed, sand covering everything
body thick as a short fuse
Every day the spiral would carry visitors, scrambling,
down to my exposed mouth
I hurled the shiny black bones over the wall
where I couldn’t see them anymore
It was that easy—I felt like an infernal prince
squatting in gravity’s navel
The hemolymph of all those swallowed
warriors kept my belly tight as a drum
When I strained against the inside of my skin, I would
scrape it away against the sand and grow bigger
After years, there was so much blood in me
I turned it into silk and wrapped my ferocious body in it
covering myself with crystals of sand
And when I pulled myself wetly out of the spiral
my hips were long and narrow, with four tall windowed wings
a body too beautiful not to use up right away
I was an angel of sex
I was the biggest thing I had ever seen